January-April 2004
Volume 6
number 1
 
    Editorial  
 
dcrc : IDEA AND THE CONTEXT
 
 
DCRC was launched to participate vigorously in the movement for changing the terms of discourse by challenging the dominant knowledge systems and questioning their claims to universality. It was committed to seeking sources of knowledge from all parts of the world, especially the histories of Asia, Africa and Latin America. It aimed at assessing the methods of comprehending truth and relevance and sought to evolve new and critical criteria of judgement from the vantage point of the struggling people.To seek universality without slipping into chauvinism and parochialism was a constant challenge.

Today when the tidal wave of hegemonic globalisation is sweeping the Third World, the value of the DCRC initiative is more significant than ever before. While globalization is one powerful trend of our times, the steady expansion of democratic consciousness and increasing strength of people's rights movements is an equally powerful trend
  In fact, DCRC has to move beyond the frameworks of western social science paradigms.

we see four forms of works in political theory:
1. Assimilation with the Mainstream Western Social Science Paradigms
2. Critique of Western theories
3. Search for Alternatives (to western theories)
4. Creative Theory

In all the first three cases, the preoccupation with western theory determines our intellectual and political choices. The normal tendency of most analysts has been to adopt dominant western models for explaining their own environment. When one engages in presenting a critique, the dominant model still remains the main referent.Even when we seek alternatives the reference remains the same and we continue to carry the baggage of the dominant theory.
 
 
today. DCRC is placed in this historic moment of struggle.Through its creative pursuits DCRChas an opportunity to intervene in this worldwide struggle for democratic transformation. There is a need to break the hegemony trap of contemporary social sciences in general and theory and philosophy in particular. This will be possible if we move from the center and put ourselves close to the people's democratic movement. But there may be some new traps there.That is why our intellectual ability to understand history and assess the political characters of the various movements and their position vis-`a-vis the state and neo-colonial forces will be put to test.

Contents

 1. Editorial
 2. Pablo Neruda Lectures
 3. Oliver Tambo Lectures
 4. Grassroots Politics      Colloquia
 5. National Seminars
 6. Human Rights Seminars
 7. Tuesday Seminars

 8. International Seminars      /Conferences

 9. Research Projects
10.Forthcoming Research      Projects

11. Forthcoming Events
12. New Initiatives

13. Publications
14. Fact file
In contrast, we in DCRC would like to pursue a creative theory which seeks to generate a body of knowledge rooted autonomously in one's own environment. It aims at finding the meaning of the human conditions around the observer. It is committed to the notion that human creativity exists in all societies, cultures and individuals. The conditions which facilitate their unfolding are to be constantly created. For that reason, large structures of oppression such as racism, caste order, patriarchy, imperialism and capitalism are objects of struggle in creative theory.
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